To Rome With Love, or Lingering Alec Baldwin.

Midnight In Paris ruined everything.  I went to see To Rome with Love today and, believe it or not, there were other people in the theater.  It was terrifying.  Can you imagine sitting alongside fifty or so elderly couples who are actually laughing at the trailer for Hope Springs?  May you never experience such horror.  Thankfully, To Rome with Love should scare off the masses.  It's getting destroyed by critics, and it certainly won't win any Academy Awards.

But it was still enjoyable.  Well, three fourths of it was.  Most of the dialogue misses its mark, and the characters have little to no merit, but To Rome with Love offers just enough absurdity to keep itself going.

Magic Mike, or What Matthew McConaughey Does in His Free Time.

Sorry for the absence.  I bought a computer today because I knew you all missed me.  Although I've been without the means to deliver my delightfully slanderous criticism, rest assured that I have been keeping tabs on all things cinematic.  If you haven't seen a theatrical release since my absence, you haven't missed much.  However, as with all things in life, just as you're getting comfortable with the bland emptiness of it all, Channing Tatum shows up and takes off his pants.

Top 10 Films of 2011.

Regardless of the quality of his films, Nicolas Cage must feature in all collages.

Although the Academy is being particularly offensive with their nominations this year, 2011 has made the atrocity of 2010 seem like a bad dream.  There were twenty to thirty films in 2011 that I wouldn't yell at someone for including in their best of the year list.  Either I'm growing as a person (I'm not), or 2011 was a pretty good year.  So, brace yourself, this is going to be a long entry.  This list, as always, does not include documentaries.  Let's start with some honorable mentions/films of note.

Chronicle or, Don't Fly At Me, Bro.

At this point, I'm so sick of superhero movies, I don't even want to see The Avengers.  In about ten years, we've had four X-men films, three Spiderman films, three Batmans films, two Fantastic Four films, two Iron Man films, Thor, Green Lantern, Captain America, three different actors playing the Incredible Hulk...  Chris Evans has even played two different superheroes.  It's gotten out of control.  Of course, not all these films are bad, but I'm burnt out.  Let's move on to something new.

Likewise, apart from Rec, found footage films are welcome to follow the repetitive superhero formula into hell.  After The Blair Witch Project, Hollywood suddenly decided to stop hiring writers and just give their actors camcorders.  The results are mixed, but a gimmick is a gimmick.

And now we arrive at Chronicle, the found footage superhero movie.  I use "superhero" in the loosest sense; but superpowers are involved, so we'll count it.  It is entertaining, which is more than I'll say for half the movies previously mentioned, but the justification for a diagetic camera grows weaker and weaker with every scene.

Some Not Top Ten Films of 2011

I promise you:  All the films below are better than Real Steel.

I just thought I'd pop in and note that while I haven't posted in a while, it is due to my focused effort to see every noteworthy film of 2011 before the Oscars.  I've considered articles on quite a few films this past month, but there always seems to be another film to watch.  You will, however, soon be treated to my annual summary, which will encompass most, if not all, of the films I've been scrambling to get through.  Thankfully, 2011 has provided a much greater supply of quality films than 2010, and I assure you the title of this year's entry will not be "This Year Sucked..." like last time.  In fact, let's take a moment to highlight some films that won't quite make the top ten.

The Muppets, or Nostalgia: The New American Enterprise.

The Muppets currently has a 97% fresh rating on Rotten Tomatoes, has been recommended to me by countless friends with varying tastes in cinema, and boasts Jason Segel as lead actor and co-writer.  The signs were good that The Muppets would be a good time.  And I hated it.

Well, hate is a strong word.  There were short bursts of entertainment sandwiched between the spastic narrative and flat jokes, but I can only explain the overwhelming mass approval of The Muppets to myself by assuming that adults have been validating its flaws; either through some sort of Muppet nostalgia, or a forgiveness due to the false assumption that kids movies don't actually have to be good.

Like Crazy: Your Annual Deteriorating Relationship.

Last year, Ryan Gosling demonstrated that love and ukulele skills aren't always enough to sustain a relationship.  In 2009, Colin Firth showed us the absolute heartbreak of losing a lover.  We tend to get about one accurate relationship drama a year, and 2011's offering appears to be Like Crazy.  

Like Crazy's accuracy on the highs and lows of young love, as well as the difficulty of long-distance relationships is hard to deny, and while the film's emotional instances serve up quite a few high points, they tend to get muddled in the simplicity of the film's composition, which serves as a detriment to the overall quality of the film.